By Scott Coner
Singer-Songwriter
NASHVILLE -- Songwriting seems
to be different for all people. I have met and talked with several writers
around Nashville as well as other places, and their approach is always
consistently different. For me, for whatever reason, my writing seems to
improve when I read quite a bit and don't listen to other music. I find that
the silence allows me to hear other melodies and phrasings that I wouldn't be
in touch with otherwise. I hate to admit it, but I also write better when my
wife and kids are gone for a while.
I find that I may
have some line or phrase that I carry around for weeks or even months, and
sometimes that leads to a song, or I might have a piece of music that I search
for a suitable melody and theme that works. Most of the time I write with an
acoustic guitar, but recently I have written several songs on a Les Paul using
a loop pedal. I don't know how it all works. I wish I did. Writing songs for me
is that place that I go to that is personal, imaginative and without
rules.
Paul Zollo has put
together a fantastic book called, "Songwriters on Songwriting". In
it, Mr. Zollo has chased down a massive amount of outstanding writers including
the likes of Jimmy Webb to Burt Bacharach and Hal David. I actually keep his
fourth addition on my nightstand and read it when I have trouble sleeping. I
love the backstory of a song. I like to know why the song was written and what
inspired the writer.
I have never been
that guy with a ton of friends hanging around. I stay pretty quiet in my little
world when I'm not working in Nashville or somewhere else. Because of this, and
I mean no disrespect, I have always kind of understood Brian Wilson. Brian
didn't surf, he didn't swim, and he didn't drive fast cars. But he wrote songs
that would make you believe he was the golden boy of the California Coastline.
The Beach Boys became an American institution, and it was all because of
Brian's genius.
I certainly don't
compare myself to Brian Wilson's talent. But, I have written a lot of songs
based on other people's lives and stories. "Maybe She Lied" is a song
I recorded with Tanya Tucker a few
years back, and it is a good example. A guy that I know came home one day and
found out that some major changes had taken place while he was gone to work.
His house was empty, most of his things were gone, and his heart was broken. I
thought about what had happened to him for a few days, then sat down and
wrote the song. As the lyrics came, I wrote it in first person as if the damage
had been done to me. Thank God the story isn't about me, but as I put the song
together, I "witnessed the movie" in my mind and the song wrote
itself.
There is nothing
more cleansing to me than writing a song. I don't try to write for radio, and I
don't write by radio's rules. I think a song should live and breathe the way it
wants to, and this includes the length of the song. There is a theory out there
that the hook should be the primary theme in the song, and there is no question
that this approach works. But, I don't live by those rules. I don't believe the
listening public needs to be on a diet of baby food. I think people still enjoy
the journey a song that can be related to, can take you on. For radio
stations, it is about getting X amount of songs in between advertisements. To
me, it is about writing and recording a song that I feel good about and am
proud of.
So, if your a
songwriter like me, you have no doubt noticed that I have no good advice. If
you are a music lover like me, then I am certain that you agree that the song
and the craft of songwriting is something that is magic and not available in a
bottle. A song, if it’s lucky, ends up as part of the fabric of someone
else’s life. I consider this to be one of life’s highest honors and most
humbling achievements.
(Scott Coner has worked with some of country music's top artists and
musicians, including Tanya Tucker, T. Graham Brown, and Charlie Daniels. Learn
more about him and hear his songs at www.ScottConer.com or
www.Facebook.com/ScottConerMusic.)
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